The Ekwulekwu Monologues: CRAMPING
The Ekwulekwu Monologues: CRAMPING
This thing will not kill me in Jesus name ooooo. At all, at all... Oh my Gooooood! Where is Nkem and...
THE ART OF JOHN MADU: BEAUTY, MORPHOGENESIS, AND METAPHOR
‘Beauty is a problem for poetry because we no longer imagine beauty as a serious way of knowing,’ writes Associate Professor Lisa Samuels of...
Notes on Asikey’s Earth Attack
Notes on Asikey’s Earth Attack
Pendulum Records recording artiste Asikey George recently released "Earth Attack" a single from her forthcoming EP titled Human. As a...
Nollywood After TIFF 2016: What Next?
Hello World!
Welcome to the second edition of #SafeHouse Sessions podcast as hosted by Emil Biobelemoye Hirai-Garuba. This episode's topic: "Nollywood After TIFF 2016: What...
Posi Ayalo (The Hired Coffin)
Posi Ayalo (The Hired Coffin) by James Ogunjimi
Ayanfe, sun re o (bi o tile je wipe iku re fi mi si inu idaamu nla)....
Safe House Sessions: AmaraChik’s ‘If I Am The Government’
SafeHouse Sessions is a podcast where a couple of Nigerian film enthusiasts discuss movies, art, and entertainment in general. On the debut episode Host...
THE SWALLOWS – AND THE GAMBLE OF REBIRTH
These two months gone, I have observed that poetry can invert itself to be an emotional hallucinogen; that it can, sometimes, betray its very...
Album Review: Lives in Bracket’s Alive
Album Review: Lives in Bracket’s Alive
Bracket
From the moment an artiste takes the decision to work on an album or collect existing hit singles...
Album Review: Notes on Tiwa Savage’s RED
Album Review: Notes on Tiwa Savage’s RED
Tiwa Savage’s second studio album RED was released in 2015, two years after her debut. The album title...
Album Review: J. Martins’ Authentic & the Question of Authenticity
Album Review: J. Martins’ Authentic & the Question of Authenticity by Echezonachukwu Nduka
Martins may well be one of the few Nigerian musicians who experiment...
